Friday, July 31, 2009

Love Aaj Kal

Strength of Our Love

Love then, and love now. Love Aaj Kal tells of two different love stories, one set in the contemporary age of today in the cosmopolitan city of London, while the other takes place in traditional Delhi back in the 60s. Written and directed by Imtiaz Ali, this film magically combines both stories into a parallel of sorts in breaking up and reconciliation, though the more sentimental me preferred the older story much more, simply because it was less complicated, and based solely on the following of the heart.

Unlike the complex games people play nowadays, as Jai Vardhan Singh (Saif Ali Khan) and Meera Pandit (Deepika Padukone) engages in. The first few minutes of the film might be a little strange and frustrating even, where it plays out like an advertisement for modern love moving at a breakneck pace of a whirlwind romance. Jai and Meera meet, fall madly in love, spend incredible moments together, only to allow reasons of practicality spoil everything. Since their careers are going to put them thousands of miles apart – Meera heading towards Delhi and Jai dreaming of eventually relocating to San Francisco, having no trust in long distance relationship means the logical decision to break up and remain friends.

In the other story, Veer Singh (Saif Ali Khan again) meets and falls in love with Harleen Kaur (newcomer Gisele), but being the old-fashioned Romeo and with a process in place to woo the woman of your dreams, he finds it extremely difficult to break the ice, and only to learn that his task has been made doubly complex with the dimension of distance getting in the way as Harleen's family uproots to Kolkata. Swearing a pledge that he will marry her, and for all lifetimes, he journeys to the other side of India, happy to just catch a glimpse of his lady love. And so begins a very tough courtship of stolen glances and secret rendezvous against stacked up odds of opposition.

As a romance, this film has plenty put on its plate. A good looking and charismatic cast, beautiful landscapes and visuals thanks to the jetsetting nature of the story from London to Delhi to Kolkata to San Francisco, and a number of fantastic lines of dialogue sprinkled with a reasonable dose of comedy, and touching moments too. What's there not to like and make you fall in love with the characters, and wring your hand at their predicament, most of which were self-inflicted?

Its two stories tell the stark difference between the modern rules of courtship based on practicality, versus that of the more traditional way, though the common thread will always, and has been to follow your heart. The thrill of the chase for instant gratification looks flimsy when set against the old fashioned notion of earning and justifying one's sincerity through action, rather than cheap talk which Saif Ali Khan's Jai is expert at.

The song and dance numbers are OK, though personally nothing was memorable enough to have stuck in my head way after the end credits start rolling. There were fun numbers of course where both leads in their modern roles seem to relish in, highlighting their personal, playful nature as they paint the town red in their secret rendezvous without the knowledge of their newfound partners. I thought there would be enough moments for each to showcase the pain of their ill-informed decisions of breaking up, but all we got was from the guy's point of view, and that was very much after the fact, which I felt time would probably start to heal all wounds, unless of course you let little personal details of milestones in your ex's life to come in and disrupt your current lifestyle.

Though of course in this story's love found, love lost and love gained, there were set pieces which tests the characters resolve, especially the one where their crazy game of double dating on the sly with their new partners, Jai's Jo (Florence Brudenell-Bruce) and Meera's Vikram (Rahul Khanna), rang through some intense pain and uncomfortable jealousy, providing a cliffhanger for the perennial interval.

If there's one thing I dislike and one of the themes as expounded in the film, it's the lack of honesty in the games people play. The romances of old are seemingly simple enough, without facades put up and masks worn to hide true intentions. Contrasted with today's of course, where both Jai and Meera find it too cool to be acknowledging their feelings properly for each other, and go on a round-about journey before they start to realize their true emotions, and face up to them sincerely. Needless to say, between the two stories, I had preferred the older one which is more engaging, honest and wistful even.

I felt that this was a classic showpiece for Saif Ali Khan. His more modern role of Jai has plenty of what makes a suave man tick, though with the tendency of lapsing into moments of Attention Deficit Disorder, rambling off in motor mouth fashion in expressing his innermost thoughts, which in a way helped him rationalize the deeply kept emotions in his heart. But the fun factor was of course having him personify the stoic nature of Veer Singh in the 60s, lovelorn and desperate even to battle against all odds to win over his lady love.

I'm happy for Deepika to have finally moved away from having to play two roles in every film (save for Bachna Ae Haseeno). Contrary to many synopsis out there, she doesn't play the romantic interest opposite Saif Ali Khan's other role, although of course it would probably make it a tad more interesting, though negating Veer Singh's pledge in a certain way. That would also mean a more conventional reincarnation type story that Imtiaz Ali steered clear of with his treatment here. However, I thought in some ways Gisele as the younger Harleen Kaur had upstaged Deepika's screen presence with her quiet and demure stature, though of course Deepika's asset of having that wonderful “stop-all-traffic” smile got exploited by the director through and through to maximum effect in melting even the most stone cold of all hearts.

All in all, Love Aaj Kal didn't manage to hit the heights that its star billing had the potential to, but still came across as a better than average romantic movie that's suitable for a date.

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